OM System has launched its first camera that doesn’t carry the Olympus name, the $1,200 OM-5 — and it looks a lot like the Olympus OM-D E-M5 Mark III, other than a few tweaks. It has the same sensor and video specs, but wears a new weatherproof body an…
Spotify accuses Apple of impeding its fledgling audiobook business
Spotify launched its audiobook business just last month with 300,000 titles, but is now saying that Apple is engaging in “anticompetitive” behavior that is impinging the new business, the company wrote in a blog post. It said that Apple rejected its au…
NASA names 16-person panel tasked with investigating UFOs
Last June, NASA announced that it would convene a panel to study “unidentified aerial phenomena” (UAP), aka UFOs — while saying it doesn’t believe they’re “extraterrestrial in origin.” Now, the space agency has unveiled the 16-member panel that will fo…
Google’s Pixel 6a falls to a new all-time low of $299
Though the Pixel 6a may not be top of mind now that the Pixel 7 is out, it only came out in July and is still a darn good budget phone. You can now grab one at Amazon for just $299, for a savings of $150 (33 percent), the lowest price we’ve seen by far…
Bono says you can blame him for that free iTunes U2 album
Remember back in 2014 when U2 gave away an album’s worth of songs to every iTunes user in the world? And it turned out that a large number of them didn’t want said album anywhere near their music library — to the point that Apple had to release a speci…
Formovie Theater review: A formidable $3,000 Dolby Vision UST projector
On the one hand, Ultra Short Throw (UST) projectors offer a top-notch home theater experience at a fraction the cost of a comparably sized TV. On the other, features like Dolby Vision that you expect on a good 4K TV are nowhere to be found on any proje…
Snapchat lets subscribers choose when their stories expire
Snap has introduced a number of features for its Snapchat+ subscription app, including a new “Story Expiration” feature, along with custom notification sounds, camera borders and more. The Story feature looks useful, and appears designed to tempt hardc…
Blackmagic’s powerful DaVinci Resolve video editor is coming to iPad
Blackmagic Design is bringing it’s popular DaVinci Resolve video editing app to the iPad, promising support for RAW, cloud collaboration and more, the company announced on Twitter. It won’t be a full version of the PC/Mac app, as it will initially feat…
Lyft’s app now lets you reserve and pay for a parking spot
Lyft now lets driver’s search, reserve and pay for a parking spot on its app, The San Francisco Chronicle has reported. It has partnered with parking company SpotHero to offer the service, promising “guaranteed parking, quick-find locations and transpa…
Adobe announces the first cameras to support Frame.io direct RAW uploads
Eighteen months ago, Adobe announced the “Camera to Cloud” (C2C) feature for its Frame.io cloud collaboration platform that would allow users to upload videos and photo directly from cameras. Now, it’s unveiled the first cameras to support the feature, the RED V-Raptor cinema camera for RAW video, and Fujifilm’s new X-H2S mirrorless camera for RAW photos.
Frame.io is a cloud service that can handle large files, giving subscribers instant access to photos and video on TVs, mobile devices and PCs. The C2C service allows users to transfer those files directly from a camera, rather than having to wait until the material is physically transferred to a computer.
Until now, you needed third-party hardware to upload content from supported cameras. Now, the C2C integration is built directly into the cameras, with “no additional hardware and no hard drives required,” Adobe said.
With the RED V-Raptor and V-Raptor XL, users can directly upload 8K RAW files to the cloud from the camera (this requires access to high-bandwidth WiFi or ethernet networks, of course). With the system in place, “[Video] files can be automatically delivered right to production offices… for immediate editing,” Adobe wrote in its blog.
In addition, RAW video audio files can be synced, color corrected and transcoded in the cloud, allowing for “proxy” workflows. Translated to English, that you could transfer small, easy-to-send video files around the world, then link those automatically to much higher-quality RAW video for the final output. Adobe demonstrates this (above), by automatically transmitting an 8K RAW file, proxy, audio and color correction “LUT” file, all at once.
On the photo side, C2C will soon work (nearly) directly with Fujifilm’s $2,500 X-H2S camera, as well. You will need to buy Fujifilm’s $1,000 FT-XH file transmitter that supports 802.11ac wireless and 600Mbps wired connections. With that connected, photographers will be able to send high-resolution RAW files straight from the camera, letting a photographer transmit breaking news photos directly to an agency, for instance.
The new system is aimed at professionals, but it could also let YouTubers send content directly to an editor for a quick turnaround. Adobe isn’t the only company doing this, as Blackmagic Design’s DaVince Resolve 18 includes a suite of collaboration tools that allow editors, colorists, VFX artists and audio engineers to work together in real time on the same project. The new features will arrive to RED’s V-Raptor lineup by the end of 2022, and come to the Fujifilm X-H2S in spring 2023.